Salty

There was great rejoicing in the Goggins household earlier this week when I finally got hold of an album I have been trying to track down for at least 20 years: "Salt 'n Pepper" by the late, great Lord Melody. Regular readers will know of my great love for Lord Melody as we have featured him a number of times previously. In my view he is second only to the Mighty Sparrow in the pantheon of calypso greats.

I first came across "Salt 'n Pepper" - originally released in 1974 - in Stoke Newington library some time in the mid 1980s. I copied it on to a cassette which went the way of all flesh a few years later, since when I have been pining. Recently I finally tracked a copy down in Switzerland, where it was presumably kept in the bank vaults with all the other treasure, and for a slightly exhorbitant fee it is now mine, all mine!!!

Here are a couple of corkers. In the second one, Melo claims that a law was passed in France in 1973 making it illegal for ladies to wear knickers. While admittedly I have not checked the statute books, I can't help thinking he has got hold of the wrong end of the stick somewhere.

"Look" - Lord Melody

"Girl In France" - Lord Melody

As a bonus, here is his old friend and rival with a touching tribute marking Melo's death from cancer in 1988.

"Play One For Melo" - Mighty Sparrow

And here is a girl in France. I have no wish to speculate on whether she is law-abiding or not.

Joyful Sorrows

On Sunday night Mister F and I ventured up to darkest Camden to see The Sorrows, one of those near-legendary bands of the 1960s who did not get the success they deserved at the time and were rightly rediscovered years later, only to then be brigaded into some ludicrous invented genre that exists only so hipsters can establish precise shades of hipness. What the hell is freakbeat meant to mean?

The Sorrows plied their trade between 1962 and 1967, led by the mighty Don Fardon who went on to have a moderately successful solo career. The current line-up got together in 2011 to play occasional gigs and are now mid-way through recording a new album. This will double at a stroke the number of albums they have released, the last being 1965's "Take A Heart" (which formed the bulk of the set).

Nearly 50 years on from their peak, we weren't sure beforehand whether they could capture the buzz and energy of their original recordings. We shouldn't have worried. They were great, with Don Fardon in magnificent voice for a man of 73 (or of any age).

Here are a couple of tracks from "Take A Heart", plus an old Cliff Bennett number that was perhaps the pick of the cover versions they played on Sunday.

"You've Got What I Want" - The Sorrows

"Gonna Find A Cave" - The Sorrows

"Slow Down" - Cliff Bennett & The Rebel Rousers

On the subject of gigs, Mister F and I also went to see Jessica Pratt at Cafe Oto earlier in the month. Very good she was too. If you haven't yet got her eponymous album you need to put that right. This is why:

Scots, Whahay!

Tonight is Burns' Night. I did think about posting a selection of songs associated with the Bard in the hope of bringing a smile to the honest, sonsie face of my extensive Scottish readership (AKA Charity Chic). I changed my mind - I didn't want to risk patronising the wee, sleekit, cow'rin, tim'rous beastie - so instead you are getting three songs with the word "burns" in the title.

"Aerosol Burns" - Essential Logic

"When Fire Burns Dreams" - Martin Newell

"As The Flame Burns Down" - The Low Anthem

Oh, what the hell, let's risk it.

Africa!!

Five songs, one title, one Continent.

Five artists - two from Jamaica, one apiece from Honduras, Mali and Zimbabwe.

"Africa" - The Mighty Diamonds

"Africa" - Lone Ranger

"Africa" - Aurelio Martinez

"Africa" - Adama Namakoro Fomba

"Africa" - Oliver Mtukudzi & The Black Spirits

I did think about rounding things off with a video clip of "Africa" by Toto, but you are a discerning lot and deserve better. So instead our clip links to one of today's featured acts, Mr Anthony Alphanso Waldron, AKA Lone Ranger.

Backroom Boys

As singers, Prince Phillip Mitchell and George Soule had only limited success. When it comes to writing songs for other people, though, that's another matter. All soul fans will be familiar with Millie Jackson's "Hurt So Good", Mel & Tim's "Starting All Over Again" (both by Prince Phillip) and Percy Sledge's mighty "I'll Be Your Everything" (by George).

There are couple of great albums available featuring demos they recorded of their songs with the aim of drumming up interest, mostly from the early to mid 1970s - "Pick Hit Of The Week" (Mitchell) and "Let Me Be A Man" (Soule). Listening to them makes their lack of success as performers even more inexplicable.

Here are a couple of corkers from each album.

"Pick Hit Of The Week" - Prince Phillip Mitchell

"I'd Still Be There" - Prince Phillip Mitchell

"If You Really Love Him" - George Soule

"I'm Only Human" - George Soule

Some great hair in the first video. But what on earth have they used as Percy's backdrop? It seems to be half a giant plastic head with a motorbike where it's chin should be.

More, More, Moriri

Let's liven up your Tuesday evening with a couple of slices of vintage mbaqanga courtesy of Mr John Moriri. At some point between 1976 and 1983 he traded in the Manzini Girls for the Katanga Boys. No disrespect to the lads, but he should have hung on to the girls, if only for their ululating.

"Bayabaleka Bantu" - John Moriri & The Manzini Girls (1976)

"Batho Bamono" - John Moriri & The Katanga Boys (1983)

Here is another cool dude from the 1970s who popped up on my shuffle earlier today and is proving strangely reluctant to leave. This is for anyone out there whose Love Jones is out of control. Most of you, I imagine.

Ms. Esther

Let's have some Esther Phillips. No reason - what reason do you need?

"Living Alone (We're Gonna Make It)" - Esther Phillips

"Turn Around, Look At Me" - Esther Phillips

"Brand New Day" - Esther Phillips