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Friday, 17 November 2023

Ernie's African Odyssey Pt 20 - Ethiopia

Welcome to the 20th stop on our 55 stop musical tour of Africa. We will be resting here until December, as I have a week long work trip starting the Sunday after next and won't have time to prepare the next run of African posts properly before I go. Don't call it as a delay though. Rather think of it as an opportunity to linger and luxuriate in the magnificent musical legacy of Ethiopia.

Ethiopia is one of my favourite places. I was lucky enough to spend two weeks there in 2012 - plus a 24 hour stopover between flights in Addis Ababa in 2018 - and would I love to go back and explore the parts of the country I haven't yet seen. I won't bore you with my holiday snaps, with one exception, but in the unlikely event you are interested you can find them over on Flickr.  

The golden age of Ethiopian popular music was the late 1950s to the early 1970s, when the local brass bands discovered American rock, soul and jazz and mangled them up with the pentatonic scales of traditional Ethiopian music, producing the most magnificently wonky sound. It is like listening to badly warped old Stax 45s. It was this era that Buda Musique captured on their excellent Éthiopiques series of albums from 1998 onwards.

It all came tumbling down after the Derg regime deposed Haile Selassie in 1974 and unleashed the Red Terror on the country. If you are ever in Addis Ababa I would highly recommend a visit to the Red Terror Martyr's Memorial Museum, it is a very moving experience. The damage the Derg did to Ethiopia before they were finally removed in 1991 is incalculable.

On a happier note (no pun intended) its time for the music. Obviously we start with some of the biggest stars of the golden age: Alemayehu Eshete (aka the Abyssinian Elvis and the Ethiopian James Brown), and two men who came up through the ranks of the Imperial Bodyguard Band, Tlahoun Gèssèssè (known as The Voice) and Mahmoud Ahmed, who in my view may be the finest of them all. All feature heavily in the Éthiopiques series.

I was luckily enough to see Messrs Eshete and Ahmed perform as part of an amazing night of Ethiopian music at the Barbican in London way back in 2008. Everything about the show was special, but witnessing the then 67 year old Mahmoud Ahmed bouncing up and down on the spot while at the same time crooning beautifully is something I will never forget.

Missing from the line-up that night was Tlahoun Gèssèssè, who by then was already ill with the diabetes that would take him the following year. On my short visit to Addis Ababa in 2018 I took the opportunity to pay my respects by visiting his understated grave in the grounds of the Holy Trinity Cathedral. You can pay your own tribute by going to Bandcamp and picking up a copy of a great compilation of his 1970s singles.

Also on the bill at the Barbican back in 2008 was Mulatu Astatqé, the arranger and vibes and keyboards player who is credited with creating Ethio-jazz (which fortunately is much funkier than most 'real' jazz, as you can hear in this tribute to a young lady called Netsanet). 

Mulatu is still going strong at the age of 80, in fact he was back at the Barbican just last week. The pick of his older recordings are available on an excellent compilation on Strut Records, and he has also made a few records more recently with The Heliocentrics and others.

Next up is Netsanet Melesse. I don't think she is the subject of Mulatu's tune - as far as I can tell she only started performing in the 1990s - but both have played with the Wallias Band at various points so who knows. Mind you, everyone else we've mentioned worked with the Wallias Band as well; they were the Booker T & The M.G.s of the Addis scene back in the day. This track comes from Netsanet's 1993 album "Spirit of Sheba".

Aster Aweke arrived on the scene around the same time as Ms Melesse and went on become one of Ethiopia's biggest stars. Her first albums were released while she was living the US, and did very well with the Ethiopian diaspora and in Ethiopia itself. Things really took off after she returned home in 1997, with her albums "Hakere" (1999) and "Fikir" (2006) being particularly popular. Today's track comes from "Hakere".

When I was in Ethiopia in 2012 I managed to catch Teddy Afro in concert in the grounds of the Ghion Hotel in Addis. Teddy had recently released "Tikur Sew", his first album for seven years. One of the reasons for the gap was the three years he spent in jail from 2006 to 2009 having been found guilty of drink driving and a hit and run incident. Some fans believed he was set up, noting that the charges followed suspiciously shortly after the Government banned some of his previous records for being seditious. 

Today's Teddy of choice is "Minilik", which is the opening track on "Tikir Sew". There are a couple of decent reggae tracks on the album, but given the close association between reggae and Ethiopia I didn't think it appropriate to fill the MAR slot with dilettante dabbling. 

You need a specialist for that. Specifically you need Jah Lude (or Jah Lude the Reggae Dude as I call him). Here he is with a track from his 2012 album "Yachin Neger". 

"Eskègizéw Bèrtchi" - Alemayehu Eshete

"Tchuheten Betsemu" - Tlahoun Gèssèssè

"Tezeta" - Mahmoud Ahmed

"Netsanet" - Mulatu Astatqé

"Yelew Wekesa" - Netsanet Melesse

"Badisie Ketema" - Aster Aweke

"Minilik" - Teddy Afro

"Yergeb Amora" - Jah Lude

The first two of today's videos have particular memories for me. The first is one I recorded myself while in Lalibela, which is home to many underground churches that were hewn from rock in the 12th and 13th centuries. By chance my visit happened to coincide with the holy day of St. Mercerios, and this is just a short extract from the service in the Bet Mercerios church.

The second was played relentlessly by the likely lads who I had hired to drive me and my bags from Gonder to Bahir Dar later during the same visit. By the end of the four hour drive I was as keen on it as they were.

No stories behind the other videos. I just like them. All come courtesy of the treasure trove that it the Ethiopian Oldies YouTube channel.

7 comments:

  1. I enjoyed the first two, but listening to the third, this is a belting track. And then there was fluting. It's great (and better than Dancing with the captain)

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  2. Track 4 was even better. Video 2, reminds of that Golden Wonder peanuts advert from the 1970s (the song, I mean)

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    1. Well spotted. Both are versions of the old 'Peanut Vendor' tune. Cardinal Rex Lawson of Nigeria adapted it in the 1960s and made it a big hit in many parts of the continents. Every now and then someone does a cover of his version of the tune, which is what Teddy and Ziggy did in 2012.

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  3. The last 3 videos are excellent. So that all adds up to some splendid tunes today.

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  4. One of my good friends is an ex Merchant Navy Sea Captain who has travelled the world in his seafaring days and since (the since part has provided better opportunities for him to see more of what places are all about culturally and geographically beyond their ports) - anyway, a few years ago he and his wife took their first trip to Ethiopia and he reported back that, to his surprise, it had gone to the top of his list. Tthey absolutely loved it, found it so interesting, beautiful and friendly. Hope you'll get chance to go back yourself Ernie.

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    1. Does your friend look like Captain Haddock in the Tintin books? That's who I automatically think of when I see the words 'Sea Captain'

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  5. Still finding this series fascinating, although Ziggy Zaga proved that you can't win them all, peanuts advert or not.

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