Brooklyn band Florist have been attracting some florid critical acclaim in recent years thanks to albums like 2025's "Jellywish". For example:
"They don’t as much strike chords as embrace them, gently matching them to moods and moments before tumbling into bigger concepts".
"Each track takes you on a journey on how to live a life that has broken free from the constraints of modern civilization".
"It was clear that thought had gone into creating something dramatic, with even the filler flowers adding dimension and spectacle".
Sorry. That last one was from a review of a flower delivery service. It came up when I forgot to put "band" between "florist" and "review" in Google.
If you are intrigued but wary why not give "We Have Been This Way Forever" a go. It was their first release back in 2013 which they have kindly made available on a "name your own price" basis on Bandcamp.
Here is a track from the EP followed by one from "Jellywish".
I did a couple of walks last week along the route of the Mildmay Line, the train line that runs across London from Richmond in the west to Hackney Wick in the east. I covered the stretch between Willesden Junction and Kentish Town West station. From the visible wealth of Harlesden and Kilburn to the sink estates of Hampstead Village and Kensal Rise, all sides of London were on display
My route took me past three modernist masterpieces/ monstrous carbuncles (delete for taste): the former Gaumont State cinema in Kilburn, in its day the largest cinema in the UK; 2 Willow Road in Hampstead, built and lived in by the architect Erno Goldfinger; and the Isokon Flats in Belsize Park. In the 1930s and 1940s residents included: Agatha Christie; Walter Gropius, one of the founders of the Bauhaus movement; and several Soviet spies, including Arnold Deutsch who recruited the Cambridge 5.
There was plenty of public art en route, the highlight of which was 'The Workers' by Kevin Harrison. It was plonked down at the end of a row of terraced houses in Harlesden in 1995 and is still there. The workers in question are struggling to erect a flagpole. Make of that what you will.
And then there is Billy Fury Way, which runs alongside the railway lines between West Hampstead and Finchley Road & Frognal stations. Billy used to live and record nearby. I have no idea why the council felt the best way to honour his memory was with "a footpath lined with used condoms, drug needles and human excrement that has been branded a no-go zone by residents" (to quote the local paper). I braved the zone and encountered one surly youth and lots of rats but nothing untoward.
Here is a selection of tunes inspired by these cultural landmarks. It's yer actual musical psychogeography innit?
It is time for one of our irregular round-ups of some of the freebies I have been sent over the last couple of months by the nice people in Promoland (for which I am eternally grateful). We will go through them in order of release date.
"The Dance of Death" by Frankie Archer, which came out last month on the ludicrously named prrr of the bear label (the lower case is theirs not mine). Electronic infused remakes of old folk standards all the way from Northumbria. Think The Unthanks with more synths.
"A Blooming Body" by Cinder Well which was unleashed into the world earlier in July. Cinder - Amelia Baker to her Mum - has featured here previously as I am a bit of a sucker for her moody singer-songwriter stuff (now there's an insightful write-up for the promo blurb). The new album is well up to the standard set by her previous effort, 2023's "Cadence".
"Interpreting Heart Sounds, Vol. II" by A. Lee Edwards is old school country-folk in the style of Guy Clark etc from a former member of Lou Ford, a name that might perhaps ring bells for Charity Chic but probably nobody else. The album is due to be issued on 4 September. With his clever addition of the 'A.' Mr Edwards has replaced A. Wesley Chung at the top of my iTunes. Well done Sir!
"Never Learned The Tide" by Twilark follows a week after A. Lee on 11 September. Twilark is the pseudonym of Canon Pence who is part of the vibrant North Carolina music scene that has brought us the likes of Hiss Golden Messenger, Tift Merritt and many more. With guests like Erin Rae and Spencer Cullum on board it is worth checking out.
"Helpless Love" by Katherine Perkins. The first single "Phoenix" was released last week, the album is out on 25 September. A new name to me, this is her second album after 2024's "Being Younger". The blurb writers who drop names like Lucinda Williams and Aldous Harding but personally she most reminds me of Diane Birch. To compared with any one of those three Ms Perkins must have something going for her.
"Period Piece" by V.V. Lightbody - announced yesterday and out on 9 October. A prolific session and touring musician under her real name Vivian McConnell, including a spell in Harry Styles' live band, this is V.V's third album and the first she has produced herself. She's done a pretty nifty job. I was going to insert a clever Harry Styles reference here but then remembered I couldn't name any of his songs.
I was also going to include a plug for an upcoming album by a Philly band Song People but even mentioning it exists is embargoed until 11 August. In the meantime if the idea of Jefferson Airplane having it out (very politely) with 10,000 Maniacs you might want to go check out their Bandcamp page.
As good as all these records are there is another new release that tops them all which I have not included as it was not a freebie. Any regular readers may know that Swamp Dogg is a musical hero of mine and his latest album "Swamp Dogg Contemplates The Afterlife" - understandable at 84 - continues a run of fantastic form from the Great Man in recent years.
There are several tracks on the new album that are as good as anything that Swamp has ever done, which is saying something. One of the many highlights is this cover of a Jenny Lewis song. Jenny joined him on one of his old tunes on his 2024 bluegrass album "Blackgrass: From West Virginia to 125th St" and they seem to bring the best out of each other.
I mentioned in a post last week that I was excited to have picked up a copy of Bim Sherman's "Miracle" album (1996) for just 50 cents while in Greece recently. I have now had the opportunity to listen to it a couple of times.
As Swiss Adam has noted, any Bim Sherman album has to be a bargain at that price. He is right, but this one is not what I was expecting from the credits - Adrian Sherwood at the controls with contributions from Talvin Singh and the On-U regulars Skip McDonald, Doug Wimbush and Bubblers Ogilvie.
The only clue in the credits that this may not be the typical sound you might expect from that lot is that Skip McDonald is credited on acoustic guitar only. He plays it very tastefully, and rather too tastefully for my tastes at times (too many tastes - sorry). The whole album is very, very mellow.
Overall it is a decent listen but that is almost entirely down to Bim's vocals and Talvin on the tablas. And while it is definitely still a bargain at 50 cents I am not sure I will be digging it out as regularly as much of his other stuff. This is for certain moods only.
Yesterday I went to two concerts purely so that I could get to use that heading. Alliteration doesn't come cheap folks.
In the afternoon Mister F and I made our way to the Boogaloo pub in Highgate to see old favourites Wreckless Eric and Amy Rigby. Not that we actually saw them. The place was rammed and from where we were I could catch the occasional glimpse of Eric's head but that was about all. Never mind. The noises they made were splendid as always.
After dropping Mister F back at the tube I mooched around a rather dull part of North London for a couple of hours before heading to the Jazz Cafe in Camden for Noura Mint Seymali. She has appeared regularly on the blog over the years but this my first time seeing her live.
Noura was in fine form throughout the near 90 minute set. For the first few songs she was seated and accompanied herself on the ardine (a 9-string harp), and very nicely too. But it was after the stool and ardine were discarded that the show really got into gear with Noura howling, growling and cajoling both the band and the audience to party harder.
The band more that did justice to her magnificent voice. The main man was Noura's husband Jeiche Ould Chighaly on twangy wah-wah guitar with bassist Ousmane Touré and drummer Matthew Tinari holding it all together. A great night. In fact, a great day (if you don't count Woodside Park).
In the audio slots we have a track from each of Noura's three albums to date "Tzenni", "Arbina" and last year's "Yenbett", all of which you can find on her Bandcamp page. I have put Eric and Amy in the videos so I can remind myself what they look like.
There is a new museum in town. To be more specific, in Camden Town, tucked away in a quiet street about ten minutes walk from the tube station.
The Museum of Youth Culture opened in May and it describes itself as "the world's first museum dedicated to the lives of teenagers and young people", not that there were many of the latter visible when I visited. It was mostly old farts like me getting nostalgic. But it is a fun place and worth a visit if you are in the area.
The specific reason I was there was for an exhibition of the covers of the first 100 albums issued by Greensleeves Records, starting in 1978 with what was a student staple in my day, "Best Dressed Chicken In Town" by Dr. Alimantado, and running through to 1986. The exhibition closes tomorrow (25 July) so you had better pull your finger out if you want to get there.
Seeing the display brought back memories of time spent in Daddy Kool record store in Soho after I first moved to London in 1984, and was a reminder of the consistently high standard of the records Greensleeves put out in its early years. I did a quick tot up and reckon I have at least a third of the albums on show, including these six (in descending order of righteousness):
Last week I was in Greece. I started and finished in Athens - working at the beginning of the week, sightseeing and record shopping at the end - with a few days in Chalkida (the C is silent) in between.
I have been to Athens many times but this was my first visit to Chalkida. The city straddles the Euripus Strait at the point where the mainland and the island of Evia nestle up together and is quite ridiculously scenic as this view from my hotel room shows.
It also has a lot of history. There is evidence of settlement there on the island side going back to the 12th century BC and 400 years later it was a major power with colonies in what is now Italy. The first bridge linking it to the mainland was built 2500 years ago.
However apart from the 17th century Ottoman castle on the mainland there is not a lot of evidence of this history. Because of its strategic importance the city has been attacked, destroyed and rebuilt many times over the centuries. The same can't be said of its former rival Eretria 20 miles down the coast. Everyone lost interest after it was trashed in 87 BC so there are still a lot of Roman remains lying around.
For anyone who is interested there are more photos of Chalkida, Eretria and Athens over on Flickr. For all the rest of you, let's crack on with the dodgy music. It's why you are here.
While in Athens I paid my regular visits to Basement Records in Kolonaki and Zaharias Records in the Monastiraki flea market, and as usual came away with lots of goodies. Picking up a copy of Bim Sherman's 'Miracle' album for just 50 cents was probably the highlight. That will no doubt feature here at some point.
One of the other purchases was the 1985 edition of 'Chrysí Diskothíki' (Golden Record Library), a series of CDs issued by the local branch of EMI covering the 1950s to the 1990s. Most of the tracks on this edition were fairly traditional folk and rebetiko songs that could have dated from any year in that period. These are the only two that you could say with any degree of confidence are from the 1980s:
Links stay up for a month or so. If you are an artist or copyright holder and want me to remove the link, or if you want to get in touch for any other reason, e-mail me on leggies27@hotmail.co.uk.
.JPG)
