Last week was a busy week for gigs - three in five days.
It started on the Sunday with a visit to Theatreship, an excellent little bar and venue on a converted small cargo ship in Canary Wharf. I first went there last year to see Angeline Morrison and was very taken with the place.
The line-up on Sunday was Beth Jones (below), Binti Red and Albertine. They were all perfectly pleasant but I don't think any of them will live long in the memory.
The same can't be said for the artist we went to see on Wednesday, the mighty Ms Suzi Quatro at the London Palladium.
As a close personal friend of Suzi I had been expecting an invitation to the VIP area but it must have got lost in the post so we were way up in the Grand Circle. Or at least I was for the first set. In contrast to the comfy former cinema seats at the Theatreship there is no legroom at all for anyone above about 5 foot 8, and by the interval I was in physical pain. So for the second set I stood at the back of the Royal Circle, one level down, where I could leap around to my heart's (and legs') content.
As for the show itself, Suzi was magnificent. Two sets of over an hour each, her voice was sounding as good as ever at 75 and she had loads of chunky basslines and a fine band behind her. We got treated to all the hits and more including an unexpected (and unexpectedly good) cover of Neil's "Rockin' In The Free World". All in all a great night.
After a brief trip home to change my socks it was off to the Shacklewell Arms in Dalston - a venue that gets mentioned here on as regular basis -to see Umut Adan & Zebânis on Thursday night.
Umut is a Turkish singer-songwriter who was heavily influenced by the psychedelic Anatolian rock scene of the 1960s and 1970s (the likes of Erkin Koray and Cem Karaca). Now based in Italy he teamed up with the Turin trio Zebânis to record the "Başka Bahar" album which came out in March. Overall I enjoyed the gig but it was a bit of an odd one.
The first half of the set was fairly straightforward heads down Anatolian boogie. Umut then left the stage for a bit while the Italian lads indulged in overlong glitchy noise experiments I could have managed without.
When he returned Umut told us that "danceable dissent" was his thing and then proceeded to play a series of numbers that were pretty much impossible to dance to, starting with one that sounded like a highlife guitarist attempting to escape from a cement mixer.
That was followed by one that had five distinct parts. According to the note I scribbled on the bus home they were: "Back Of My Hand" by The Jags; Husker Du play "La Bamba"; Steve Hillage on mogadon; feedback; and a lively Turkish jig. Even the woman next to me who until then had been frugging like a frantic ostrich struggled with that lot.
On Friday I went for a lie down.
For the music we have what appears to be Beth Jones' only recording to date, on a compilation from the Slow Dance label that just came out in March, another unexpected cover from Suzi and two tracks from Umut - one from the new album and one from "Bahar" from 2019.
Ladies and gentlemen, we have another winner! Topping the 'Down On The Farm' chart is...
The Swede with "Manure In Love With A Beautiful Woman".
It was a very close run thing with just a couple of points between the top three. Here is the Top 5 in full:
1.Manure in Love
With a Beautiful Woman - Dr Hook (The Swede)
2.Grow Your Own
Whey - Fleetwood Mac (Dave)
3.There's A Goat In
My House - R Dean Taylor (George)
4.You Can't Slurry
Love - The Supremes (Steve)
5.Love Is A
Cattlefield - (Cow) Pat Benatar (Rol)
Many congratulations to The Swede, whose punning power has clearly been improved by the apparent recent removal of his beard. Well done also to Dave (a.k.a. Chuck) and Steve who make their first appearances in the Top 5. And to Rol, Parsley and Anita of course.
You may have noticed that three of the top five puns contain references to excrement. After the prodigious penis voting in Pun Fun 4 I'm starting to worry about what sort of crowd I attract here.
As for my own entry, I still maintain that "like a battery hen I'll be gone when the morning comes" is a great line when sung out loud. Sadly very few of you agreed with me. With hindsight maybe I should have gone for my second choice, "Cropduster" by Sweet. Or something with poo in it.
Thanks to all of you who submitted a pun and/or voted, your enthusiasm is much appreciated. We will be back with Pun Fun 6 at some point in the second half of May. Until then, we will hand over to Dr. Hook to see us out.
Swiss Adam and I are currently engaged in a sort of 'duelling banjos' exercise but substituting Japanese psych bands for banjos, the main purpose of which seems to be to help George refine his list of favourite Japanese bands.
Last time out Adam went big on every respect, treating us all to a 15 minute slab of the mighty Bo Ningen. At the time it felt like a knockout blow but I managed to stagger to my feet on a count of eight. Having taken some time to unscramble my brain I am fit to fight my corner.
After some thought I narrowed my options down to two bands, both of which have been featured here before (although not recently) and both beginning with K. The other one might appear next if we continue with this thing, but for now I've gone for Kikagaku Moyo.
Originally from Tokyo but latterly based in Amsterdam, Kikagaku Moyo released five albums and assorted odds and sods over the course of a decade before going their separate ways in 2022. Three of the members - Go Kurosawa, Tomo Katsurada and Popal Daoud Akira - have since gone on to release solo albums.
Today's selections come from "Masana Temples" (2018) and their self-titled album from 2017. In an attempt to compete with Adam on both quantity and quality I have added an 18-minute long collaboration with Ryley Walker from 2021. All these and much more can be found on their Bandcamp page.
The blurb for their final album "Kumoyo Island" says that "while their decade-long career can be summarized as a series of kaleidoscopic explorations through lands and dimensions far and near, there’s a strong intention in each of their works to take the listener to a particular place, however real or abstract they may be". Have a listen, let me know where you end up.
You were challenged to insert a pun related to farming into a popular song title. You have clearly been toiling in fertile soil as you've produced a fine harvest between you.
Thanks to everyone who submitted an entry and particularly welcome to Chris who is making his punning debut and joins us just in time to help with the bale-hauling.
Voting is open to all readers not just those who entered. Let me know your top five in order of preference. I'll award 7 points for every first choice, 5 for second and then 3, 2 and 1 for the rest.
You can either submit your votes in the comments section below or by email to leggies27@hotmail.co.uk if you would rather preserve the sanctity of the secret ballot.
The deadline is next Sunday (19 April). We will announce the results a week today.
Here are the contenders, listed alphabetically by artist.
1.While My
Deutz-Fahr Gently Reaps - The Beatles
2.As Long As We Got
Each Udder - BJ Thomas and Jennifer Warnes
3.Barn In The USA –
Bruce Springsteen
4.Sow it Hoes -
"Chick" Lowe
5.Love Is A
Cattlefield - (Cow) Pat Benatar
6.Wheat Wheat Wheat
- The Damned
7.Cracked Tractor -
David Bowie
8.Manure in Love
With a Beautiful Woman - Dr Hook
9.Drake, Cattle
& Foal - (Duck) Bill Haley & His Comets
10.Swede Dreams Are Made Of This - Eurhythmics
11.Grow Your Own Whey - Fleetwood Mac
12.With Weed On Our Side - Half Man Half Biscuit
13.Battery Hen - Meat Loaf
14.There's A Goat In My House - R Dean Taylor
15.Top Of The Crops - The Rezillos
16.You Can't Slurry Love - The Supremes
17.You And Your Harvester – This Mortal Coil
18. Anyway Any Plough Anywhere - The Who
A number of you have said nice things about this series but I can't take the credit. You are the ones who come up with the puns, I just put them all together. Now...
We have now made it two-thirds of the way through our musical tour of continental America and we have arrived in Nicaragua.
The political history of the country is pretty much the same as all the other Central American countries that have featured in the series and sadly the noble Sandinistas of our youth have turned out to be no better than the dynasties before them. Daniel Ortega is now in the 19th year of his reign and passes the time jailing opponents, closing media outlets, fiddling elections and doing the whole despot thing.
So lets instead praise Nicaragua's scenery, architecture, folklore and people, all of which I had the pleasure of encountering when I went there on holiday in 2014. There are photos of my visit over on Flickr if you are interested. There are lots of bright colours, fine buildings and smiling faces and a fair old dollop of weirdness as well, like so...
That's enough of me, let's get on with the show. We'll start with a couple of bands from among the small pile of mp3 discs I chose pretty much at random when I was there.
The cumbia funsters Fuzion 4 are still going strong and are active on Facebook and probably other places as well. The same can be said forLos Nuevos Panzer's (their apostrophe not mine) who are not to be confused with the original Los Panzer's, whose heyday was in the 1970s. I have not yet been able to establish what if any connection there is between them. Perhaps our many Nicaraguan readers can help.
Speaking of the 1970s as we were, that's where we are heading next for some soulful Latin sounds. I have not been able to find out anything at all about Grupo Africans but this 1974 single is decidedly funky. You can find it on the "Sonidos Perdidos de Centroamérica" compilation that has featured a few times in this series.
By contrast I am positively awash with information about Poder Del Alma, a local supergroup originally put together for a benefit concert following an earthquake that hit Managua in 1972. They enjoyed it so much they went on to release a couple of albums in 1974 and 1975. The first, from which this track comes, is mainly cool Latin rock and soul. The second goes a bit more jazz-funk with liberal splashes of mini-Moog, but they are both worth a listen.
Speaking of the 1970s and jazz-funk as we were, Alfonso Lovo has an interesting tale to tell. The son of a government minister in the Somoza regime, he was shot by Sandinista hijackers on a flight from the US to Nicaragua in 1971 and got his dodgy dad to finance his music career.
So far so bad you may think, but he was no dilettante and in 1976 he recorded some really far out psychedelic jazz sessions for an album that was to be called "La Gigantora", named for the giant lady who features in street festivals around the country (like this one that I met in León, standing next to a moustachioed Frank Sidebottom). For one reason and another it was never released at the time, only finally seeing the light of day in 2015 thanks to the Numero Group.
In the interests of balance we probably should have some music from old school Sandinista supporters now. It was a toss up between Carlos Meija Godoy andGrupo Pancasanand for the mp3s I have opted for the latter, specifically the self-titled song from their 1978 debut. Carlos can be found in the video clips (when the cameraman can tear himself away from the ladies in the audience).
Grupo Pancasan wound up in 1990 when the first Sandinista government lost the election. Carlos is still going strong at 83 and unlike Ortega has stayed true to his principles, including taking part in the 2018 protests than resulted in multiple deaths and the banning of political marches.
For the last couple of tunes we are off to Caribbean coast where we encounter the Miskito people (you may remember meeting them when we were in Costa Rica). There is a lively music scene in the main city of Bluefields and the Bluefields Sound System label does a great job in capturing it on record. From their catalogue I have chosen this track from "Palo De Mayo", the 2012 album by Barbaros Del Ritmo.
If you head about 50 miles north from Bluefields you'll find the small town of Tasbapauni, birthplace of Philip Montalbán, provider of this episode's MAR. You can read all about him in this article if you are so inclined You can find today's track is on a 2023 album called "Viva La Vida" although the song itself has been available on YouTube since 2009.
Mr. Montalbán's solo work is pretty good but his old band Soul Vibrations were a bit special. I couldn't track down any of their records but I think the first clip below from 1989 will explain their appeal.
Me and that Swiss Adam bloke are currently engaged in a fiercely fought game of Japanese psych band tag (although he may not know that yet).
I opened with Nagisa Ni Te. He raised the stakes with Yura Yura Teikoku. It requires a strong response so I'm going with Barbican Estate, originally from Tokyo but now based in London, much closer to the brutalist block from which they took their name (and where I used to work many years ago).
To make sure they were the right choice I went to watch them live in the hipster haven of Hackney last week. My friend Mr F saw them last year and has been raving about them ever since. He was right to do so, they were great. Their records don't fully prepare you for the storm of sound they conjure up live.
Barbican Estate are Miri on vocals, bass, flute and mellotron and Kazuki Toneri on guitar and songwriting. Koh Hamada has drummed on all their records to date but he's back in Japan so for gigs they have a rotating cast of drummers (probably because the poor buggers need to go for a lie down after a few sets). Go and see them if they come to your town.
You can find their back catalogue on Bandcamp. I have picked a track from each of their two most recent EPs, "Viscum" (2024) and "The Fall" (2022).
Links stay up for a month or so. If you are an artist or copyright holder and want me to remove the link, or if you want to get in touch for any other reason, e-mail me on leggies27@hotmail.co.uk.
